In Auvers-sur-Oise, a charming village just outside Paris known for its artistic heritage, a fierce dispute has erupted over the roots of a tree that holds historical significance due to its association with the late Vincent Van Gogh. The village, which attracted countless art enthusiasts wishing to trace the steps of the tormented painter, finds itself in turmoil following the recent identification of "Tree Roots" as Van Gogh's last painting.
Once a topic of speculation, the dating of the artwork was conclusively established by experts in 2020, revealing that the roots depicted—gnarled and protruding from a hillside—were created on the very day Van Gogh died. This validation, however, has led to renewed conflict centered around the tree roots' preservation, particularly the main root portrayed in the painting, affectionately termed the "elephant" by admirers, which is located next to a public road.
The municipality of Auvers has contested ownership of a section of private land where the roots are found, claiming it must be designated as public to facilitate maintenance in light of the newfound historical recognition. Property owners Jean-François and Hélène Serlinger have staunchly opposed this assertion, with a recent court ruling finding no grounds for the municipality’s claims.
Despite the legal setback, Auvers Mayor Isabelle Mézières has vowed to continue the fight for public ownership of the site, asserting the importance of communal belonging as she proclaimed, “The Roots belong to the Auversois!” on social media.
As the legal battle unfolds, it casts a shadow over what should be a vibrant season for the town, with its population of 7,000 heavily relying on art tourism—especially as spring arrives. The contention over Van Gogh's tree roots has gripped the community, intertwining local pride with the struggle for cultural heritage.
