In her thought-provoking narrative, Han Kang presents a character who suffers a horrific woodworking accident that leads to the severing of her fingers. As surgeons attempt to reattach the digits, they emphasize the necessity of painful treatments to sustain blood flow and keep nerves alive. This allegory mirrors the deeper wounds within South Korean society, which Han has explored through her literature.
Having won the Nobel Prize in Literature last October, Han's works are gaining international recognition. With the upcoming release of "We Do Not Part," an English translation of her novel focused on the Jeju Island massacre, readers are offered a lens into one of the darkest chapters of South Korean history. This event resulted in the deaths of tens of thousands and is a haunting reminder of past atrocities that cannot be forgotten.
As Han reflects on the need to confront personal and national trauma, she notes, “It’s pain and it is blood, but it’s the current of life.” Through her evocative storytelling, Han Kang continues to weave narratives that challenge both herself and her readers to unearth and acknowledge the scars left behind by historical violence.
