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Colombia’s Reggaeton Landscape Divided Over Controversial New Track

The release of the song “+57” has sparked heated debate in Colombia, with many criticizing its explicit lyrics as harmful while others defend the genre.

By Genevieve GlatskySource: nytimes.com1 min read
Colombia’s Reggaeton Landscape Divided Over Controversial New Track
Image via nytimes.com

In brief

The recent reggaeton hit “+57,” featuring major Colombian artists, has drawn both commercial success and backlash due to its provocative lyrics, igniting discussions about cultural representation and stereotypes surrounding the genre.

In Medellín, Colombia's vibrant hub of reggaeton culture, a new song has sparked polarizing reactions across the nation. The track, “+57,” features a lineup of Colombia's most recognized artists, including Karol G, J Balvin, and Maluma, and aims to celebrate Colombian identity by referencing the country’s dialing code. Since its release, the song has garnered over 35 million streams and reached the top charts on Spotify in Colombia. However, the song's lyrics, which include lines such as “A mamacita since she was 14,” have ignited controversy due to claims of sexualizing minors and perpetuating negative stereotypes about Colombia. Critics argue that the song promotes harmful perceptions, while supporters of reggaeton feel the genre is facing undue scrutiny. The attention surrounding “+57” is heightened by the prominence of the artists involved and the bold branding of the song as representative of Colombian culture. This has resulted in a significant discussion about the responsibilities of artists in portraying their country and culture, and whether the artistic expression through reggaeton is being unfairly targeted. The impact of such discussions can be felt within Colombia’s broader cultural landscape, revealing tensions between commercial success and the need for responsible representation in music.

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